Creation of The Joyce
In 1977, the Eliot Feld Ballet had begun exploring more affordable approaches to presenting its annual season of performances in New York City. Rental costs and house sizes of the theaters available to the company made these seasons financially risky propositions. Eliot Feld, the company’s founder and Artistic Director, and Cora Cahan, its Executive Director, envisioned creating a theater specifically for smaller dance organizations that their company could use, which would also be available to other companies. The first facility they looked at in late 1978 was the Elgin Theater, a defunct movie theater in Manhattan’s Chelsea neighborhood built in 1941. They quickly commenced negotiations to purchase it, ultimately arriving at a price of $225,000 and concluded the transaction in January, 1979. The philanthropist LuEsther Mertz, co-founder of Publishers Clearing House and a benefactor of the company who had supported the renovation of the company’s studio, underwrote the full cost of the purchase. In developing financial projections for the theater, Feld and Cahan anticipated an inclusive rental cost of around $12,000 per week. In a national survey they conducted, 73 dance organizations expressed interest in using the theater at the projected rental rate. These findings helped garner a wide range of financial support for developing the theater. The project secured a $400,000 Federal Urban Development Action Grant, which recognized its potential to provide employment and add to the vitality of its neighborhood. Other Federal Government support included a $450,000 challenge grant from the National Endowment for the Arts, and a guarantee of a $600,000 bank loan. Private donors and foundations such as the Rockefeller Foundation contributed the balance of the funds. Feld and Cahan engaged architect Hugh Hardy of the firm Hardy Holzman Pfeiffer to develop plans for a gut renovation of the facility. Major changes to the structure included the elimination of the original balcony configuration to create a steeply raked seating area on one level, new construction at the rear of the building to provide additional backstage space, and the installation of a 67 x 36 foot proscenium stage with a sprung floor. The completed theater had 472 seats. The overall cost of the project was $3.6 million. At the June 25, 1981 groundbreaking, the building was renamed the Joyce Theater after the daughter of LuEsther Mertz in recognition of the elder Mertz’s leadership support of the project. The theater opened with a gala performance on June 2, 1982. The Feld organization retained ownership of the building and created a separate non-profit organization to operate the theater under a 35-year lease at a nominal rent of $1 a year. As the 2016 conclusion of the lease term approached, the operating organization, the Joyce Theater Foundation, purchased the theater from the Feld organization for $20 million.Governance and management
The Joyce is aMain activities
The Joyce presents an annual 40 to 45 week season on its stage, hosting an audience of approximately 150,000 people. In addition to this Chelsea season, the Joyce presents or co-presents at a small number of other venues, including the David H. Koch Theater at Lincoln Center and alternative spaces. Through artistic residency and commissioning programs, the Joyce gives resources to established, early- and mid-career artists to advance their practice and develop new works for the Joyce stage. New commissions are supported by the Stephen and Cathy Weinroth Fund for New Works, a $1 million endowment contributed by a Joyce board member. The organization also mounts a range of education, school and family programs that range from structured class visits to Joyce performances, to lessons at schools and community centers with Joyce-affiliated teaching artists, to family matinees with discount tickets for children.World Trade Center cultural center
In 2004, The Joyce's proposal to operate a dance theater in the planned "arts hub" at the World Trade Center was accepted by the Lower Manhattan Development Corporation. The Joyce would have been one of several arts organizations at the facility, and proposed a 1,000-seat theater for major dance companies, with supporting programming. In the ensuing years, the vision for the cultural center has evolved through multiple iterations and tenant lists. It is currently planned as The Ronald O. Perelman Performing Arts Center, a multi-venue facility encompassing a range of performing and media arts. The Joyce's role in the current plan for the center has not been announced.Former affiliated spaces
Joyce SoHo
In 1996, The Joyce purchased a dance performance and rehearsal facility at 155 Mercer Street in Manhattan's SoHo neighborhood that was owned and operated by the Dia Art Foundation. The building had been used for dance since 1985, and was sold because of financial difficulties at Dia. The Joyce obtained the building for $1.5 million with support from the LuEsther T. Mertz Charitable Trust, the charitable organization established by the organization's longstanding benefactor LuEsther T. Mertz upon her death. The Joyce continued Dia's program of rehearsal space rental and performances in the 75-seat theater until 2012, when it accepted an unsolicited offer to sell the building for $27.25 million.DANY Studios
In December, 2009, the Joyce leased a rehearsal studio facility at 305 West 38th Street, in Manhattan's Garment District, that it operated under the name DANYSelected companies presented at The Joyce
See also
* Elgin Theater * List of theaters for danceReferences
;NotesExternal links
* {{Authority control Contemporary dance Dance in New York City Dance venues in the United States Theatres in Manhattan Performing groups established in 1982 Chelsea, Manhattan 1982 establishments in New York City 1941 establishments in New York City Eighth Avenue (Manhattan)